Celia stared into the window of the Patisserie. The cakes were piled up on silver stands and trays. Exotic fancies, delicate tarts, sumptuous gateaux, a cornucopia of temptation. Celia rubbed a flip-flopped foot against the back of a fat calf, and contemplated the generosity of it all. Here was plenty; sugar-coated, rum-soaked, cream-cascaded, fruit-heavy plenty. She confirmed her selection with a podgy forefinger, the nail varnish chipped but every bit as bright as the cherries on the Black Forest gateau in pride of place. Having toyed with some macaroons and discarded them in favour of the almond butter biscuits, just to set off the more creamy indulgence of the fondants and éclairs, she finalised her choice and then turned from the window and walked away. Today’s ritual completed.
By the time she’d reached the car park behind the library and squeezed herself into her little runaround, the cakes were far behind her. She looked down at herself. The weight was coming off. Not so you’d notice perhaps, nothing dramatic, but slowly and steadily.
She watched a woman unchaining her bike from the railings. In a lilac plastic helmet and tight, vivid cycle suit. Not much younger than Celia, and not at all concerned about her body shape being so explicitly displayed.
Celia looked at the bike. And wanted one.
She would be a lissom streak of lycra, cornering at breathless speed, her nimble fingers working precisely through the gears. Head down, elbows in, high-toned legs pumping, her wasp waist firm, her bottom high in the air, taut, flexed and proud, ogled by men about whom she simply did not care. Couldn’t be less bothered, frankly. They’d had their chance.
Tomorrow she’d abjure the Patisserie for the bike shop. Just for a look. A look couldn’t possibly do any harm.
By the time she’d reached the car park behind the library and squeezed herself into her little runaround, the cakes were far behind her. She looked down at herself. The weight was coming off. Not so you’d notice perhaps, nothing dramatic, but slowly and steadily.
She watched a woman unchaining her bike from the railings. In a lilac plastic helmet and tight, vivid cycle suit. Not much younger than Celia, and not at all concerned about her body shape being so explicitly displayed.
Celia looked at the bike. And wanted one.
She would be a lissom streak of lycra, cornering at breathless speed, her nimble fingers working precisely through the gears. Head down, elbows in, high-toned legs pumping, her wasp waist firm, her bottom high in the air, taut, flexed and proud, ogled by men about whom she simply did not care. Couldn’t be less bothered, frankly. They’d had their chance.
Tomorrow she’d abjure the Patisserie for the bike shop. Just for a look. A look couldn’t possibly do any harm.
5 comments:
Bravo Sister! The feminine in Chips emerges, and she's lovely.
Thank you, No One.
I've always been susceptible to the allure of women on bicycles. Nice to discover it's my feminine side emerging.
(The lilac helmet gave it away, right?)
Cx
I notice in Oscar's drawing that the bicycle doesn't exist - nice touch.
Drawing bicycles is damn difficult.
Sorry, old chum.
I think I remember you saying that when you drew the wheelchair for "Blue On Blue."
I'll try and keep off bicycles in future.
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